THEY SHOOT HORSES, DON'T THEY? – Horace McCoy (1935)
A short novel set in the early 30s, during the Great Depression. Robert Syverton and Gloria Beatty are two movie extras in
with no money but still hoping to break into movie business. They subscribe to a marathon dance with the hope that they get the $1,000 top prize or get noticed by producers in the audience. All they have to do is keep moving around and try not to get eliminated during derbys (sort of horse races organized around a white oval line). In order to achieve that they need to manage with 10-minute breaks used not only to sleep but also to wash, brush teeth, massage feet, etc. A literary masterpiece that is a strong tale of desperation as well as a metaphor of the American dream and its society, greedy and ruthless, here showing both faces of Hollywood, , the rich one in the audience and the poor one, on the racing track. This was the author's first book and also, probably, the very first ‘noir’ American novel. You won't recover easily from this story, hailed by the French intellectuals at that time (Sartre, De Beauvoir...) as the very first existential book coming from the America . It was turned into a film by Sydney Pollack in 1969, starring Jane Fonda, Michael Sarrazin and late Susannah York, and a French stage show by Robert Hossein in 2002. US
A CLOCKWORK ORANGE – Anthony Burgess (1962)
1984 - NINETEEN EIGHTY-FOUR – George Orwell (1948)
FALLING ANGEL – William Hjortsberg (1978)
A very surprising crime novel about a private detective hired by a mysterious individual to find a missing crooner, then ending up investigating himself and coming to an incredible truth. It was made into a famous film called Angel Heart, written and directed by Alan Parker in 1986, with Mickey Rourke, Robert De Niro and Lisa Bonet.
TEN LITTLE INDIANS or And Then There Were None – Agatha Christie (1940)
Ten very different people from very different classes and with very different backgrounds, are invited in a luxurious house based on an island, where they disappear one after another until there's nobody left. Originally published as Ten Little Niggers (lol), Agatha Christie's timeless mystery book, a real piece of anthology.
THE FIVE-CORNERED SQUARE or A Rage in Harlem – Chester Himes (1959)
PLANET OF THE APES – La Planète des Singes, Pierre Boulle (1963)
From the author of Bridge over the River Kwai comes this highly inventive work, maybe one of the most famous science-fiction ones… and it came from
! Author Pierre Boulle got the idea for such a story during a stay in France . Instead of the films which are set on our planet, this stunning work takes place on another planet the main character, an astronaut and scientist named Ulysse Mérou, lands on, discovering a civilization dominated by apes, where humans are treated as slaves and study objects kept in cages. Captured and first treated the same way, Mérou soon shows off his intelligence and knowledge and is helped by Zira, a female chimpanzee, and her husband Cornelius. I guess you know what follows next, except for the ending I won't give out not to spoil the pleasure, I'll only say that Mérou will leave the planet with his human, savage lover (Nova) and return to his Earth where an incredible surprise will welcome him. An excellent, thrilling book translated from French by Xan Fielding and turned into a series of movies started by an amazing film from Franklin J. Schaffner in 1969, starring late actors Charlton Heston and Roddy McDowall, itself recently remade by Tim Burton in 2001 and ‘prequeled’ in 2011 by Rupert Wyatt as Rise of the Planet of the Apes. Cameroon
THE BEACH – Alex Garland (1996)
Since I've read this amazing book, Alex Garland has become one of my favourite writers. Another good reason for that is, he writes movies now. And good ones (28 Days Later, Sunshine, Never Let Me Go). But he started - and met with great success only at age 26 - with this impressive cult novel set in
RED DRAGON – Thomas Harris (1981)
THE GODFATHER – Mario Puzo (1971)
CHARLIE AND THE CHOCOLATE FACTORY – Roald Dahl (1964)
One of my clearest influences for "Charlie's Trips". That timeless classic from Roald Dahl about a young boy named Charlie Bucket who wins a tour across Willy Wonka's magical chocolate factory after miraculously finding one of the very few Gold Tickets, is still a reference for every child all over the world. Adapted twice for the big screen.
UBIK – Philip K. Dick (1969)
I AM LEGEND – Richard Matheson (1954)
Dracula in reverse: one sole man has to deal with the whole of humanity which has 'turned' into vampires after a plague. A wonderful idea for a tragic, legendary SF post-apocalyptic novel which delivers one of the best endings in literary history. Very mistreated in movies.
THE GETAWAY – Jim Thompson (1959)
A couple of married gangsters rob a bank before running away to Mexico. Adapted twice for the big screen by The Warriors' director Walter Hill (first for Sam Peckinpah in 1972 with Steve McQueen and Ali McGraw, then again in 1994 with Alec Baldwin and Kim Basinger) and clearly duplicated by Quentin Tarantino in three of his screenplays, True Romance, Natural Born Killers and especially From Dusk Till Dawn. Some other movies like Thelma and Louise and Out of Sight are also very taken from The Getaway. A famous and very fun ‘noir’ novel, filled with violence and romance, that has influenced several generations of storytellers and filmmakers, from one of the greatest writers in 20th century, who notably brought us The Grifters and The Killer Inside Me, both taken to the screen as well.
CARRIE – Stephen King (1974)
A shy, complexed teenage girl, bullied at home by a religious nut of a mother, obsessed by sin and evil, and bullied at school by everybody else, finds hidden paranormal abilities and uses them to get payback. Made into an awfully stressful, scary, terrific horror movie in 1976 by director Brian DePalma, starring Sissy Spacek: this is Stephen King's first and best book.